‘I don’t want to hurt you any more. There was first the Avenue, which ran in a consciously elegant curve from the railway station into an undeveloped wilderness of agriculture, with big, yellow brick villas on either side, and then there was the pavement, the little clump of shops about the postoffice, and under the railway arch was a congestion of workmen’s dwellings. Anyhow, she’s disappeared for some reason or other. There was a huge desk of heavily carved ebony at one end, and at the centre, a couple of straight-backed chairs stood before a great fireplace at the outer wall, flanked by two bookshelves with casement windows above.
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