She lifted the sheet and gestured for him to join her. Did he intend to kill her now, this instant? Or had she a moment or two to try to save herself? Recalling Leonardo’s dictum, she did not struggle, for that would only tighten the trap about her, and perhaps even spring it. The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. The piece, in three movements, was short enough anyway.
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