The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Some day older people, perhaps, will trouble to understand younger people, and there won’t be these fierce disruptions; there won’t be barriers one must defy or perish. She pulled, he rose to his feet. But we can’t help noticing.
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