The first of these, the Press Room, a dark close chamber, near Waterman's Hall, obtained its name from an immense wooden machine kept in it, with which such prisoners as refused to plead to their indictments were pressed to death—a species of inquisitorial torture not discontinued until so lately as the early part of the reign of George the Third, when it was abolished by an express statute. Paris looms behind—a tragedy of strange recollections—here she emerges Phœnix-like, subtly developed, a flawless woman, beautiful, self-reliant, witty, a woman with the strange gift of making all others beside her seem plain or vulgar. Of course Nicholas was bound to give her a French name.
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