He pointed to where the lights still burned in Anna’s windows. His own peculiar genius—a miracle key to the hidden things in men's souls—had given him this immediate and astonishing illumination. Taken altogether, his physiognomy resembled one of those vagabond heads which Murillo delighted to paint, and for which Guzman d'Alfarache, Lazarillo de Tormes, or Estevanillo Gonzalez might have sat:—faces that almost make one in love with roguery, they seem so full of vivacity and enjoyment.
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