The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. Coming from the gloom of the passage, even the corridors seemed sufficiently illuminated for them to see their way. A gust of irrational impatience blew through her being. But if you have considerable money, you had better leave it in the office safe.
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