Wood turned to look at him. To be free of outward distraction, he shut his eyes and concentrated upon the scraps she had given him; and shortly, with his eyes still closed, he began to describe Ruth's island: the mountain at one end, with the ever-recurring scarves of mist drifting across the lava-scarred face; the jungle at the foot of it; the dazzling border of white sand; the sprawling store of the trader and the rotting wharf, sundrily patched with drift-wood; the native huts on the sandy floor of the palm groves; the scattered sandalwood and ebony; the screaming parakeets in the plantains; the fishing proas; the mission with its white washed walls and barren frontage; the lagoon, fringed with coco palms, now ruffled emerald, now placid sapphire. Oh, I’ve loved love, dear! I’ve loved love and you, and the glory of you; and the great time is over, and I have to go carefully and bear children, and—take care of my hair—and when I am done with that I shall be an old woman. \" He said with a question in his voice, a question that revealed that he was intimidated, and not only that, but he had it bad. "Miss Enschede, you're seven kinds of a brick!" "A brick?" He chuckled.
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