"Why, first," rejoined Austin, "there's Sir James Thornhill, historical painter to his Majesty, and the greatest artist of the day. She went past three keenly observant and ostentatiously preoccupied waiters down the thickcarpeted staircase and out of the Hotel Rococo, that remarkable laboratory of relationships, past a tall porter in blue and crimson, into a cool, clear night. It now came to him with an added thrill how well she had told her story; simply and directly, no skipping, no wandering hither and yon: from the first hour she could remember, to the night she had fled in the proa, a clear sustained narrative. ” She could not go on, for she was laughing and crying at the same time.
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