The ripple of the water against the boat, as its keel cleaves through the stream—the darkling current hurrying by—the indistinctly-seen craft, of all forms and all sizes, hovering around, and making their way in ghostlike silence, or warning each other of their approach by cries, that, heard from afar, have something doleful in their note—the solemn shadows cast by the bridges—the deeper gloom of the echoing arches—the lights glimmering from the banks—the red reflection thrown upon the waves by a fire kindled on some stationary barge—the tall and fantastic shapes of the houses, as discerned through the obscurity;—these, and other sights and sounds of the same character, give a sombre colour to the thoughts of one who may choose to indulge in meditation at such a time and in such a place. “If you interfere between us,” the man said, “it will go hardly with you. I HAD to. We always go out to dinner on holidays. ” Chapter XIX “THIS IS NOT THE END” “I said some afternoon,” she remarked, throwing open her warm coat, and taking off her gloves, “but I certainly did not mean to-day. He wrote poems to her beauty that he recited from a seemingly infinite memory. “Why—it’s—it’s you!” Amazement seemed to dry up the torrents of his speech. But go on. Retribution has a queer way of acting sometimes.
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